The third photograph in Hochhäusler's series is dedicated to the dancer Yerka Luksic. On the highest part of a hill, presumably near the sea in the region of Valparaiso in Chile, Hochhäusler fixes a pose of Luksic in which her L-shaped arms project her body towards immateriality. She seems to levitate as a result of the natural way the sun casts its rays around her body and through her clothing. The pose recalls the ways in which Mary Wigman was photographed on Mount Verita studying with Rudolf von Laban.