The photographer George Sauré, a native of the city of Concepción in Chile and of French family, photographs the dancer Andrèe Haas with raw lighting, matte colors, and on a stage with a false background that shows two spaces: one that concerns the dancer’s body and the other one that appears behind the white curtain dividing the spaces. Haas's pose reminds us of some of the iconic movements of the German choreographer and dancer Mary Wigman.